I am presenting on this topic at a conference on Media Information Literacy in Seoul, funded by the Ministry of Education and jointly organized by the Korean National Commission for UNESCO (KNCU), the Korea Press Foundation (KPF), the Korea Education and Research Information Service (KERIS), the National Information Society Agency (NIA), the Korean Community Media Foundation (KCMF), and the National Association of Community Mediacenters of Korea (NACM).
The talk argues that in a context of digital transformations in social relationships and arrangements and the ways that they now mediate what we know about the world, and how that knowledge constitutes and legitimates forms of authority, forms of power and contemporary politics, we need a changed version of media or digital literacy. My argument first of all is that while forms of media literacy or digital literacy have taken their time in becoming an acceptable part of both the school curriculum and, just as importantly what it means to be a responsible citizen, there is now a greater urgency in adapting these kinds of media and digital literacy frameworks for the current situation. Secondly, I talk about the differences between everyday, common sense ‘interpersonal’ digital literacies – that is the kinds of understandings people make up as they learn to live with these technologies – and the more formal critical literacies that we usually encounter in the school or university curriculum. I challenge how people can travel from the everyday to the more formal and who should take responsibility for this, how we might measure it and above all what will happen to our societies if we don’t take on this responsibility.
This short co-authored commentary published in the Teachers College Record here, examines the growth of new digital platforms that link families, children, and teachers through the well-known example of ClassDojo. We argue that the ubiquity of platform use is a relatively new phenomenon in schools, that it is not driven by findings from empirical research, but rather the result of a perfect storm of popular psychology and market forces.
These platforms allow for communication between teachers and families in real time and across many languages. Teachers can send pictures of children, comment about student behavior, achievements, or activities, share information about upcoming programs, and more, all via a self-contained online platform or app on a phone. Parents in turn may message the teacher (usually via smart phone), but not other parents. Although they build on seemingly established and normed forms of communication between teachers and parents, we challenge how platforms like ClassDojo create and shape behavioral norms for families and teachers. For example, what impact does the digital footprint of a student’s classroom behavior have on how their parents treat them at home? And to what extent might casual family conversations become centered on the concerted calculation of ClassDojo avatar points, akin to how our daily “steps” (vis-à-vis the Fitbit) have come to stand for how far we have walked in a given day?
We put forward this commentary as part of a broader call to action for the field to consider how interactions via platforms may be shaping family relations with schools and to continue to foreground in our collective studies the more general ways that the “datafication” of education is transforming teaching and learning practice.
I just gave this talk at the children’s media symposium at the University of the Sunshine Coast. I reflected on how living in a digital society affects debates about the purposes and reception of children’s media culture and literacy, and examined how debates about children’s media have been challenged by the advent of datafication and platformization. I concluded by arguing that”digital literacy” is a fragile concept relying on individualised instrumental cognitive attributes and that we need to think of literacy more as a set of social relationships involving partnerships between publishers, regulation, rights and social norms as much as we need to focus on supporting and developing individual capabilities.
I have a short afterward in this book, exploring intrinsic and extrinsic values attributed to what it means to being educated. The book offers a series of practical, local but system wide and socially responsible practices, policies and analyses to support the ways that education can work at its best.
This event brought together scholars related to datafication, childhood, and privacy in order to address concerns around how the actions of children, both in and out of school, are becoming increasingly monitored and datafied using digital technology.
Some key, guiding questions were set out here: can schools and families resist the datafication of childhood?; what issues associated with the datafication are unique to children and young people?; what role can the nation state play in regulating multinational technology companies?; how does datafication change the process of schooling? What can or should schools do to ensure the ethical uses of data?; How can we ensure young people’s rights are protected without limiting the potential of digital systems and communication?
This new research initiative investigates the pedagogic dimension of digital platforms. It draws on older theoretical traditions that use pedagogy as a way of describing and explaining the relationships between individual and society, agency and structure.
We want to explore what it means to conceive:
of the relationship between people and their platforms as a pedagogic relationship,
and how such conceptualisations might advance study of platforms in general.
And, additionally, using the term pedagogy in its more specifically educational sense:
to explore the relationship between learning, schooling and education systems as they are now moving into and across emerging platforms,
thus, advancing scholarship about the uses of platforms in Education.
At the moment the initiative asks 4 kinds of questions.
What kind of conceptual framing is most useful to make sense of “a platform”?
Do platforms have a pedagogy? or What is the pedagogic relationship between people (often constructed as users or clients or citizens) and specific platforms?
Do the new platforms now present in schools change the practices of education and the relationship between social actors in the school system
What is the pedagogy of educational platforms
The initiative brings together a range of scholars from Australia and the US and as a dedicated PhD scholarship. The website for the project can be found here.
This new edited volume comes out of work I’ve been doing with the Playful Learning Centre at the University of Helsinki over the past few years can be found here.
The book brought together internationally renowned scholars to investigate and reflect upon the significance of introducing multiliteracies in the education of children (0–8 years old) and the challenge of enhancing professional development opportunities of early years practitioners.
The collection brings together curriculum innovation and reform and the changing media ecology of young children’s learning lives in a single volume. It provides insights into Finnish early years education in terms of policy, practice, and research with a specific focus on the enhancement of children’s multiliteracies. Case studies from around the world explore co-developing practices between researchers and teachers, the development of communities and the ways in which different classroom interventions draw on new kinds of teacher knowledge.
This new co-authored book has just been published and can be found here.
Based on original research the book explores how formal and informal education initiatives and training systems in the US, UK and Australia seek to achieve a socially diverse workforce, offering a series of detailed case studies to reveal the initiative and ingenuity shown by today’s young people as they navigate entry into creative fields of work.
Young People’s Journeys into Creative Work acknowledges the new and diverse challenges faced by today’s youth as they look to enter employment. Chapters trace the rise of indie work, aspirational labour, economic precarity, and the disruptive effects of digital technologies, to illustrate the oinventive ways in which youth from varied socio-economic and cultural backgrounds enter into work in film, games production, music, and the visual arts. From hip-hop to new media arts, the text explores how opportunities for creative work have multiplied in recent years as digital technologies open new markets, new scenes, and new opportunities for entrepreneurs and innovation.
Being educated is a particular cultural narrative central to growing up in our societies whilst only a part of the learning that we do is explicitly valued and conceptualized as such. We tend to think of learning as an activity that takes place within schools. Yet a returning issue with these institutionalized forms of learning is its failure to grab young people’s interest. Simultaneously, these young people spend their time (and money) voluntarily on actively engaging with digital media.To research the way in which learning is re-conceptualized in online communities, we will, through ethnographic research, attempt to capture young people’s own experiences as well as reflect on the workings of specific digital media platforms. This research project hence asks the question: how are young people through their engagement with online communities, re-imagining contemporary cultural narratives of learning?
This project is undertaken in conjunction with the University of Utrecht through a PhD scholarship. The project website can be found here.
This essay just published in the Brazilian journal, Perspectiva, here argues that the various new imaginaries of the connected, creative, autonomous, coding, motivated and making digital learner have their roots in diverse and older visions of a different kind education system (especially the craft learner working in communities of practice) than that promulgated by the human-capital inspired neoliberal governmentalised States in the world today. Tracing the histories of the older imaginaries in a cultural history of autodidacticism I examine how they become incorporated by, and thus recalibrate competing visions of the “new learner of tomorrow”.s